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2 days ago
In a brightly lit gallery, they see the 66m-year-old skeleton of a Tyrannosaurus rex. In a darkened room, they study the flag that inspired Francis Scott Key to write the national anthem. In a vast aviation hanger, they behold a space shuttle. And in a discreet corner, they file solemnly past the casket of Emmett Till, a 14-year-old Black boy lynched for allegedly whistling at a white woman in the US south.
Visitors have come in their millions to the Smithsonian Institution, the world’s biggest museum, education and research complex, in Washington for the past 178 years. On Thursday, Donald Trump arrived with his cultural wrecking ball.
The US president, who has sought to root out “wokeness” since returning to power in January, accused the Smithsonian of trying to rewrite history on issues of race and gender. In an executive order entitled “Restoring Truth and Sanity to American History”, he directed the removal of “improper, divisive or anti-American ideology” from its storied museums.
The move was met with dismay from historians who saw it as an attempt to whitewash the past and suppress discussions of systemic racism and social justice. With Trump having also taken over the John F Kennedy Center for the Performing Arts, there are fears that, in authoritarian fashion, he is aiming to control the future by controlling the past.
“It is a five-alarm fire for public history, science and education in America,” said Samuel Redman, a history professor at the University of Massachusetts Amherst. “While the Smithsonian has faced crisis moments in the past, it has not been directly attacked in quite this way by the executive branch in its long history. It’s troubling and quite scary.”
The Smithsonian was conceived in the 19th century by the British scientist James Smithson, who, despite never setting foot in the US, bequeathed his estate for the purpose of a Washington-based establishment that would help with “the increase and diffusion of knowledge”. In 1846, 17 years after Smithson’s death, then president James Polk signed legislation calling for the institution’s formation.
The Smithsonian now spans 21 museums, most of them in the nation’s capital lining the national mall from the US Capitol to the Washington monument, including the National Air and Space Museum, the National Museum of American History, and the Hirshhorn Museum and Sculpture Garden. The National Portrait Gallery, which displays a photo of Trump in its presidents gallery, is in downtown Washington.
The Smithsonian also encompasses the National Zoo, famed for its giant pandas, and 14 education and research centres employing thousands of scientists and scholars and offering various programmes for schools.
Visitors to the National Museum of Natural History’s FossiLab can see paleobiologists chipping away at rock to uncover bones buried for hundreds of millions of years. The Smithsonian Astrophysical Observatory played a key role in the Event Horizon Telescope project, which produced the first-ever image of a black hole in 2019.
About 60% of the Smithsonian’s funding comes from the federal government, but trust funds and private sources also provide money.
The institution has known its share of controversies. In 1995, the air and space museum planned to display the Enola Gay, the B-29 Superfortress that dropped the first atomic bomb on Hiroshima, with accompanying text that critics complained was more sympathetic to Japan than the US. The exhibition was cancelled and the plane put on display with no interpretation.
Trump visited the National Museum of African American History and Culture a month after taking office in 2017. His reaction to the Dutch role in the global slave trade was: “You know, they love me in the Netherlands,” according to the museum’s founding director, Lonnie Bunch, who subsequently became the first Black person to lead the Smithsonian.
Trump paid little attention to the institution during the rest of his first term, although in 2019 his vice-president, Mike Pence, took part in the unveiling of Neil Armstrong’s spacesuit at the air and space museum, marking the 50th anniversary of the Apollo 11 launch.
As in so many other ways, however, Trump’s second term is a whole different beast. The president believes there has been a “concerted and widespread effort to rewrite our nation’s history, replacing objective facts with a distorted narrative driven by ideology rather than truth”, according to the White House executive order.
He argues this “revisionist movement seeks to undermine the remarkable achievements of the United States by casting its founding principles and historical milestones in a negative light”. The order also asserts: “Once widely respected as a symbol of American excellence and a global icon of cultural achievement, the Smithsonian Institution has, in recent years, come under the influence of a divisive, race-centered ideology.”
It cherrypicks examples, arguing that the African American museum “has proclaimed that ‘hard work,’ ‘individualism’ and ‘the nuclear family’ are aspects of ‘white culture’”. This refers to content that was on the museum’s website in 2020 and later removed after criticism.
The order points to the exhibition The Shape of Power: Stories of Race and American Sculpture, currently on display at the Smithsonian American Art Museum, which states that societies including the US have used race to establish systems of power and that “race is a human invention”.
It criticises a planned women’s museum for “celebrating the exploits of male athletes participating in women’s sports” and aims to ensure the museum does not “recognize men as women in any respect”.
The order stipulates that the vice-president, JD Vance, a member of the Smithsonian’s board of regents, work with Congress and the office of management and budget to block programmes that “degrade shared American values, divide Americans based on race, or promote programs or ideologies inconsistent with federal law and policy”. It calls for new citizen members “committed to advancing the policy of this order”.
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All of this is in line with his administration’s efforts to do away with diversity, equity and inclusion (DEI) programmes in government, universities and corporations. The Smithsonian shut its diversity office soon after the president signed a January executive order banning DEI programmes at organisations that receive federal money.
It is also of a piece with Trump’s longstanding demand for “patriotic” education. In February, he issued an executive order re-establishing his 1776 Commission, which was a riposte to the New York Times newspaper’s 1619 Project – and he has been a strident critic of renaming or removing Confederate statues and monuments.
The order bears the hallmark of the conservative Heritage Foundation, which created the influential Project 2025. The thinktank’s website has an article that describes the 1619 project as “yet another attempt to brainwash you into believing your country is racist, evil and needs revolutionary transformation”. Another warns that the Smithsonian’s proposed Latino museum would be “a woke indoctrination factory”.
But progressives say the cultural clampdown will only sow further discord. Tope Folarin, a Nigerian American writer and executive director of the Institute for Policy Studies in Washington, said in an email: “You cannot ‘foster unity’ by refusing to tell the truth about our history. Ignorance of the truth is what actually deepens societal divides.
“These museums are important because they tell the full American story in an unvarnished way. We will only achieve unity when we are able to reckon with the truth about how this country was founded, and acknowledge the heroes who worked continuously to bring us together.”
On Friday, the mood at the Smithsonian, which has long enjoyed positive relations with both Democratic and Republican administrations, was rife with uncertainty. Many had been bracing for this moment, but it remained unclear what impact the order will have on staffing levels or current and future exhibitions, including plans to celebrate next year’s 250th anniversary of US independence.
David Blight, a historian and close friend of Bunch, the Smithsonian’s secretary, said: “I haven’t talked to him yet. I’m sure he’s trying to decide what to do. I hope he doesn’t resign but that’s probably what they want. They want the leadership of the Smithsonian, the directors of these museums, to resign so they can replace them.”
Blight, who is the current president of the Organization of American Historians, was “appalled, angry, frustrated but not fully surprised”, when he read the executive order. “There have been plenty of other executive orders but this is a frontal assault,” he said. “I read it as basically a declaration of war on American historians and curators and on the Smithsonian.”
The professor of history and African American studies at Yale University in New Haven, Connecticut, continued: “What’s most appalling about this is the arrogance, or worse, the audacity to assume that the executive branch of government, the presidency, can simply dictate to American historians writ large the nature of doing history and its content.
“I take it as an insult, an affront and an attempt to control what we do as historians. On the one hand this kind of executive order is so absurd that a lot of people in my field laugh at it. It’s a laughable thing until you realise what their intent actually is and what they’re doing is trying to first erode and then obliterate what we’ve been writing for a century.”
Trump’s previous cultural targets have included the Kennedy Center and Institute of Museum and Library Services. This week he urged congressional Republicans to defund National Public Radio (NPR) and the Public Broadcasting Service (PBS). He has also threatened to cut funding to universities refusing to bend the knee.
Blight regards the moves as drawn from the authoritarian playbook: “It’s what the Nazis did. It’s what Spain did. It’s what Mussolini tried. This is like the Soviets: they revised the Soviet encyclopedia every year to update the official history. Americans don’t have an official history; at least we’ve tried never to have.”
The sentiment was echoed by Raymond Arsenault, a professor of southern history at the University of South Florida, St Petersburg. He said: “What is written in that order sounds almost Orwellian in the way Trump thinks he can mandate a mythic conception of American history that’s almost Disney-esque with only happy endings, only heroic figures, no attention at all to the complexity of American history and the struggles to have a more perfect union.
He added: “It’s so chilling. Everything I’ve worked on in my career is simply ruled out by this one executive order. It’s like the barbarian sack of Rome in the level of ignorance and ill-will and anti-intellectualism.”
Arsenault, a biographer of John Lewis, who was instrumental in creating the African American museum, said the late congressmen would be “shocked” by Trump’s order: “It’s totalitarian. It does remind you of a fascist state and makes us a laughingstock around the western world. I have to confess in my worst nightmares I didn’t think it would proceed this far in terms of willful megalomania.”
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